Thar has many elements jostling for our attention: a tiny outpost in a border town, a mysterious stranger, a couple of cops, and a series of bodies, draining of life-blood, decaying, dying. But this is one of those films where the setting is the real hero– the ‘marusthal’ (desert) stretching as far as the eye can see, crumbling forts, bare trees providing meagre shade, implacable, hard beaut...
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